Creations For Tomorrow

I brought home mountains and moose signs,

fields and forests and waterfalls,

and a grand old house on a hill.

memories of them are tucked idly and tidily away – until we meet again.

drinking from bubbling cold mountain streams, 

resting elbows on an old stone wall,

climbing a 240-metre incline.

this old home has seen better days, 

but dreams of a future develop steadily –

beyond the peeling paint and layers of wallpaper and linoleum.

I fold these images gently inside.

visions of demolition and reconstruction blend together, amidst

the changing of door knobs and locks, and testing the Starlink.

a persistent and determined labour of love with hardware and software, 

and the re-stacking of chopped wood to close off a gaping hole in the wall.

Success!

discussing options

and possibilities

and ever more alternatives.

all with the mutual goal of trying to figure things out,

to talk things through,

to suss out a plan – of sorts. 

our conversations flow unchallenged, with perfect ease.

potholes and back roads and a dark rainy drive,

my daughter calmly in control.

playing scrabble and cribbage, and sipping on wine.

marvelling at architecture, food and accents;

warm people everywhere – some were even entertained by our chit-chat.

not a single negative encounter.

spongey beds; and massive pillows impossible to sleep on –

we used them to build barricades between our beds

to block out our light from our sleeping companion.

laughing ourselves silly over our silliness

like the colours of the carpet on the stairs.

treating ourselves

in thrift shops, gem stores, and fancy boutiques.

crystals, jewellry, and singing bowls; garments on sale;

“good, good, good, … good vibrations!”

books from sidewalk libraries.

walking and talking and moments of silence.

tidal bores! such a treat! how could I not know they existed?

a fellow traveller with her tale of a lost phone.

walking barefoot in the ocean sand and water, embracing the sights and sounds.

more treasures for home:

pebbles, shells and old man’s beard. 

Laughter and delight in our shared appreciation 

for mushrooms and bark and textures and detail;

and lichen and colours and rocks

and birds and buildings and trees.

and cattails resembling old men.

searching in vain for lobster.

visiting galleries and pubs.

a Victorian home with a charming hostess

and treasures in every room;

delightfully soft and luxurious sheets on our quilt-covered beds.

struggling to get Google music to do our bidding;

lessons in double solitaire where the student slaughters the teacher.

exploring our understanding of the spiritual, consciousness, conspiracies, the truth; 

marvelling at life, and love, and the differences between men and women.

and embracing the contrasts, too.

(precipices and machinery)

listening and speaking; speaking and listening;

musing and laughing and loving.

singing in the car:

Christine Lavin, “I’m a fly on a plane” “The checkout girl” 

The Corries, “Will ye go, Lassie, go?”

Lou Reed, “Walk on the Wild side.”

such fun we had!

mother and daughter, friends and companions;

nine wonderful days together;

over 3,000 kms.

Shared oohs and aahs and love.

Priceless.

Imitation vs The Real Deal

Is imitation the sincerest form of flattery? Maybe, maybe not. But when the muse calls out to us, and we are inspired, it can be a lot of fun to respond.

The present was inspired by Kristina Drake’s post, The Apple Peeler.

Cat’s Cradle by Robyn Sarah

When women together sit sipping
cold tea and tugging at the
threads of memory, thoughtfully
pulling at this
or that bit or loop, or slipping
this loop over that finger till
warp and weft of past lives begin
crazily to unwind, when women sit
smoking and talking, the talk
making smoke in the air, when they shake
shreds of tobacco out of a crumpled pack
and keep drinking the same weak tea
from the same broken pot, something clicks
in the springs of the clock
and it’s yesterday again,
and the sprung yarn rolls down loose
from the spool of the moon.

When women together sit talking
an afternoon, when they talk
the sun down, talk stars, talk
dawn–they talk up a dust
of sleeping dogs and bones
and they talk a drum for the dust
to dance to, till the dance
drums up a storm; when women
sit drumming fingers on tops
of tables, when the tables turn
into tops that spin and hum
and the bobbin of the moon
keeps spinning its fine yarn down
to catch fingers, when fingers catch
talk in a cat’s cradle, and turn
talk into a net to catch the curve
of the storm–then it’s talk
against talk, till the tail
of the storm trails into dust
and they talk the dust back down.

Things that matter and don’t matter
are caught together, things done and undone,
and the kettle boils dry and over
while they lean closer to peer down
into the murky water where last night’s dream
flicks its tail and is gone
(and the reel of the moon keeps cranking
its long line down)–when women together
sit sipping cold tea and sawing on the strings
of memory, it is an old tune.
The rice sticks to the bottom of the pan,
and things get left out in the rain.

Below is an alteration/imitation inspired by a scene at the poet’s home in Hungary.

A Carpentry of Old Men by Kristina Drake

When old men together sit planning
a new project, when they plan
the time out, plan views, plan
night – they plan up a dust
of lumber yards and beams
and they plan a fiddle for the wood
to dance to, till the dance
fiddles up a spark; when old men
sit stirring sugar in cups
with spoons, when the spoons turn
into tools that spin and whine
and the brace of the sky
keeps working its drill bit deep
to bore lumber, when lumber seats
plans in a bearing wall, and turns
plans into a frame to build the strength
of the spark – then it’s plans
against plans, till the flash
of the spark sears into wood
and they plan the wood back up.    

Things that matter and don’t matter
are caught together, things done and undone,
and the trees grow tall and strong
while they lean closer to peer down
into the fallen ashes where the day’s work
flicks a match and is gone
(and the truss of the sky keeps bracing
its timber frames up) – when old men together
sit drinking hot coffee and tapping on the boards
of tomorrow, it is a new song.
The sun glints off the metal flashing
and the gutters gather the rain.

Finally here is a version inspired by the poet’s beloved collection of gemstones and crystals.

Apache Tears and Desert Rose by Audrey Drake

When a woman alone sits sipping
hot tea and toying with the
mystery of life, thoughtfully
admiring this
Bloodstone or Emerald, or holding
this Garnet between fingers till
courage and joy of a new life begins
happily to unfold, when a woman sits
thinking and dreaming, the dreams
making hope in the room, when she takes
the Fluorite from the corner square
and keeps drinking the same hot tea
from the same tiny pot, something moves
in the depths of her soul
and it’s only today,
and the Moonstone rolls down loose
from one hand to the other.

When a woman alone sits dreaming
an afternoon, when she dreams
the sun down, dreams Turquoise, dreams
Agate- she dreams up a future
of waking vigor and joy
and she dreams a love for the future
to dance to, till the dance
evokes an embrace; when a woman
sits caressing the Mangano
at the table, when the tables turn
into clouds that form and roll
and the frequencies in the air
keep growing in strength down
to catch fingers, when fingers catch
dreams on a cloud, and turn
dreams into a net to catch the essence
of the clouds -then it’s dream
against dream, till the wisp
of the embrace trails into the future
and she dreams the future back down.

Things that matter and don’t matter
are caught together, things done and undone,
and the Kyanite moves up and over
while she leans closer to peer down
into the lovely Howlite where last night’s dream
flicks its tail and is gone
(and the Tiger’s Eye keeps seducing
the Pink Opal) -when a woman alone
sits sipping hot tea and loving the feel
of her Rose Quartz, it is an old tune.
The Amethyst vibrating in her hand reminds her of rain.