Imitation vs The Real Deal

Is imitation the sincerest form of flattery? Maybe, maybe not. But when the muse calls out to us, and we are inspired, it can be a lot of fun to respond.

The present was inspired by Kristina Drake’s post, The Apple Peeler.

Cat’s Cradle by Robyn Sarah

When women together sit sipping
cold tea and tugging at the
threads of memory, thoughtfully
pulling at this
or that bit or loop, or slipping
this loop over that finger till
warp and weft of past lives begin
crazily to unwind, when women sit
smoking and talking, the talk
making smoke in the air, when they shake
shreds of tobacco out of a crumpled pack
and keep drinking the same weak tea
from the same broken pot, something clicks
in the springs of the clock
and it’s yesterday again,
and the sprung yarn rolls down loose
from the spool of the moon.

When women together sit talking
an afternoon, when they talk
the sun down, talk stars, talk
dawn–they talk up a dust
of sleeping dogs and bones
and they talk a drum for the dust
to dance to, till the dance
drums up a storm; when women
sit drumming fingers on tops
of tables, when the tables turn
into tops that spin and hum
and the bobbin of the moon
keeps spinning its fine yarn down
to catch fingers, when fingers catch
talk in a cat’s cradle, and turn
talk into a net to catch the curve
of the storm–then it’s talk
against talk, till the tail
of the storm trails into dust
and they talk the dust back down.

Things that matter and don’t matter
are caught together, things done and undone,
and the kettle boils dry and over
while they lean closer to peer down
into the murky water where last night’s dream
flicks its tail and is gone
(and the reel of the moon keeps cranking
its long line down)–when women together
sit sipping cold tea and sawing on the strings
of memory, it is an old tune.
The rice sticks to the bottom of the pan,
and things get left out in the rain.

Below is an alteration/imitation inspired by a scene at the poet’s home in Hungary.

A Carpentry of Old Men by Kristina Drake

When old men together sit planning
a new project, when they plan
the time out, plan views, plan
night – they plan up a dust
of lumber yards and beams
and they plan a fiddle for the wood
to dance to, till the dance
fiddles up a spark; when old men
sit stirring sugar in cups
with spoons, when the spoons turn
into tools that spin and whine
and the brace of the sky
keeps working its drill bit deep
to bore lumber, when lumber seats
plans in a bearing wall, and turns
plans into a frame to build the strength
of the spark – then it’s plans
against plans, till the flash
of the spark sears into wood
and they plan the wood back up.    

Things that matter and don’t matter
are caught together, things done and undone,
and the trees grow tall and strong
while they lean closer to peer down
into the fallen ashes where the day’s work
flicks a match and is gone
(and the truss of the sky keeps bracing
its timber frames up) – when old men together
sit drinking hot coffee and tapping on the boards
of tomorrow, it is a new song.
The sun glints off the metal flashing
and the gutters gather the rain.

Finally here is a version inspired by the poet’s beloved collection of gemstones and crystals.

Apache Tears and Desert Rose by Audrey Drake

When a woman alone sits sipping
hot tea and toying with the
mystery of life, thoughtfully
admiring this
Bloodstone or Emerald, or holding
this Garnet between fingers till
courage and joy of a new life begins
happily to unfold, when a woman sits
thinking and dreaming, the dreams
making hope in the room, when she takes
the Fluorite from the corner square
and keeps drinking the same hot tea
from the same tiny pot, something moves
in the depths of her soul
and it’s only today,
and the Moonstone rolls down loose
from one hand to the other.

When a woman alone sits dreaming
an afternoon, when she dreams
the sun down, dreams Turquoise, dreams
Agate- she dreams up a future
of waking vigor and joy
and she dreams a love for the future
to dance to, till the dance
evokes an embrace; when a woman
sits caressing the Mangano
at the table, when the tables turn
into clouds that form and roll
and the frequencies in the air
keep growing in strength down
to catch fingers, when fingers catch
dreams on a cloud, and turn
dreams into a net to catch the essence
of the clouds -then it’s dream
against dream, till the wisp
of the embrace trails into the future
and she dreams the future back down.

Things that matter and don’t matter
are caught together, things done and undone,
and the Kyanite moves up and over
while she leans closer to peer down
into the lovely Howlite where last night’s dream
flicks its tail and is gone
(and the Tiger’s Eye keeps seducing
the Pink Opal) -when a woman alone
sits sipping hot tea and loving the feel
of her Rose Quartz, it is an old tune.
The Amethyst vibrating in her hand reminds her of rain.

In the Red!

Chez moi, at Audities’ House of Cards, when I’m not taking photos, or designing greeting cards, I tend to dabble in experiments with fermented foods.

To date, I’ve mastered kombucha quite well, and drink it regularly. I’ve also successfully fermented beets, made beet kvass, and most recently, produced some delicious white cabbage sauerkraut. So now, I am on to a new venture: red cabbage sauerkraut.

For your enjoyment, I’ve documented the process from two days ago.

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Cabbage salt mixture

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Gray sea salt with some pink Himalayan

I added about four healthy teaspoons of coarse gray sea salt to about two and a half pounds of coarsely shredded red cabbage, and blended it together with my hands. The salt made the cabbage glisten with moisture almost immediately.

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Before using the mallet

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One Laundry-Day in the Hood

I hang laundry while standing on the bench so I can reach the line. I feel a bit rebellious since someone once told me I should be careful.

I admit that I do have a preference for using the same colour pegs for each item — I even back-track and change the pegged colour if I’ve messed up. I also choose the peg colours to suit the colour of the item I’m hanging. Where does that come from? And why?

It’s very comforting to hang according to some order/some personal rules, whatever they may be.

I choose to put the heavier items first because they take longer to dry. I hang pants from the cuff, not from the waist which is often too thick for the pegs. I like to hang shirts and t-shirts across the middle of the torso so they leave less evidence of being captured by the pegs. I like to avoid ironing.

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Marie Antoinette’s Painter — Élisabeth Vigée Le Brun

Although I am not a painter, I feel inspired by the life of this woman.

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Born in 1755, I would guess this prolific artist must have been quite happy and fulfilled — she painted 660 portraits and 200 landscapes in her lifetime, and died just before her 87th birthday. Perhaps it was the exposure to intrigue and nobility. Alas, I don’t have much of that in my life.

Alas, too, I missed seeing this exhibit in New York last year. I’m sure I would’ve enjoyed it.

Do You Believe in Magic?

I’m sure most of us did at one point in our lives. And yes, many of us still do – if only in our dreams.

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However, if we truly observe where we find joy, we can see that indeed, there is magic all around us: in the love that flows between a mother and her new-born; in the discovery of tiny flowers that have bloomed overnight – in the darkness of the forest; in the millions of stars in a midnight-blue sky; and in surprisingly glorious sunrises and sunsets.

Whatever your definition allows on this fabulously cold spring day, may it truly enthral you and enchant you to bits!

And may it add a touch of magic to your wide-awake dreams.

Thank you, Robert Frost

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The woods are lovely, [white and bright,]

But I have [Wordpress posts to write,

And work to do before tonight,

And work to do before tonight.]

It’s rare that I enter these woods without the words of Robert Frost’s famous poem dancing through my mind. But since I was there on a sunny afternoon, his words didn’t quite ring true. So, I had to modify them. And yes, now they respect the moment. 🙂

Perhaps you’d like to listen to Robert Frost reading his original creation, Stopping By Woods on a Snowy Evening.